Christine Pennylegion

Two Poems

Ohio Fields

Charlotta could not have imagined,

opening her hands to send her sons

across the pitching ocean, each bearing

her lasts gifts—sun-bleached linen shirts

straight from her needle, cheeses,

pickled herring—seeking their fortunes

as the stories always go—surely Charlotta

never dreamt the richness of these fields,

the iron ore, the river highways,

grasslands where her grandchildren

would sprout tall like corn: striding half-Swedes

who knew the soil and worked it till

they themselves were planted deep,

America’s daughters and sons at last

laid down where August fireflies,

those swarming constellations, still draw

our creaking ships homeward, laden,

seeking our fortunes, deep in these Ohio fields.


Singer Slant-o-Matic 403A

and isn’t that name just the epitome

of nineteen fifty-eight, age of tomato aspics

and tuna casseroles, Sputnik launching

us into the glorious future, and here

it all distills into domestic magic

wielded by the lady of the house,

effervescent with mechanical promise:

a bounty of labour-savers, automators,

chrome-plated fairy godmothers

offering a life of ease. Oh, this machine!

its motor and gears, the scent of oil

and hot steel, the snick and whirr

of its moving parts—the finest semi-

automatic sewing machine ever built!—

all eighteen pounds of it carried up

from the basement cradled to my chest

the way my grandmother carried my father,

born two days after Christmas that year,

before setting him down to thread the needle,

check the bobbin, sew her way forward

and forward into time; she’s still sewing now.


Christine Pennylegion has lived in and around Toronto, Ottawa, Pittsburgh, Baltimore, and Windsor. She holds a BA(Hons) in English from the University of Toronto, and an MAR from Trinity School for Ministry. Her poems have been published by Dunes Review, Humana Obscura, Understorey Magazine, and others. Read more at christinepennylegion.com.

Christine Pennylegion

Two Poems

Ohio Fields

Charlotta could not have imagined,

opening her hands to send her sons

across the pitching ocean, each bearing

her lasts gifts—sun-bleached linen shirts

straight from her needle, cheeses,

pickled herring—seeking their fortunes

as the stories always go—surely Charlotta

never dreamt the richness of these fields,

the iron ore, the river highways,

grasslands where her grandchildren

would sprout tall like corn: striding half-Swedes

who knew the soil and worked it till

they themselves were planted deep,

America’s daughters and sons at last

laid down where August fireflies,

those swarming constellations, still draw

our creaking ships homeward, laden,

seeking our fortunes, deep in these Ohio fields.


Singer Slant-o-Matic 403A

and isn’t that name just the epitome

of nineteen fifty-eight, age of tomato aspics

and tuna casseroles, Sputnik launching

us into the glorious future, and here

it all distills into domestic magic

wielded by the lady of the house,

effervescent with mechanical promise:

a bounty of labour-savers, automators,

chrome-plated fairy godmothers

offering a life of ease. Oh, this machine!

its motor and gears, the scent of oil

and hot steel, the snick and whirr

of its moving parts—the finest semi-

automatic sewing machine ever built!—

all eighteen pounds of it carried up

from the basement cradled to my chest

the way my grandmother carried my father,

born two days after Christmas that year,

before setting him down to thread the needle,

check the bobbin, sew her way forward

and forward into time; she’s still sewing now.


Christine Pennylegion has lived in and around Toronto, Ottawa, Pittsburgh, Baltimore, and Windsor. She holds a BA(Hons) in English from the University of Toronto, and an MAR from Trinity School for Ministry. Her poems have been published by Dunes Review, Humana Obscura, Understorey Magazine, and others. Read more at christinepennylegion.com.